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My goal - my narrow target I aim for, whether it's TV or film - is something that's completely original, that delivers the emotional satisfaction of big budget commercial filmmaking, but does it in some way that's completely unexpected. When I make something like Impulse, I'm thinking about the audience the whole time, and wanting to deliver something they've never seen before. This is my first time getting that kind of feedback in television. What I discovered with Impulse was that I was getting that in real time because people are leaving comments, so I knew a lot of people were watching because of the comments stream that I was getting. That feedback's really important to me, to my filmmaking process, and for my growth as a filmmaker. I just sit quietly in the back, and I get to see real people experiencing my films and get their reactions while they're watching the movie, loiter around the restroom afterwards, because people tend to talk in the restroom about the film they just saw. Part of what I love so much about making movies for the big screen is that I had to go and attend my own movies, when they're open to the public.
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The thing that I discovered, because it's my first show for streaming, is that actually, unlike more traditional television, being on YouTube gave me the kind of feedback I was used to getting when I put movies in theaters.